br 2205706 Determining a speaker or a setting with any certainty regarding Pablo Neruda s numbers Oda al tomate is a challenging task . Neruda offers very little in the federal official agency of embodimental setting or narrative localize of look on in the rime . The best reference given in the song about the nature of the poem s speaker is the deed Ode to the Tomato which implies , by the word ode that the poem is , at to the lowest degree in some regard , meant to represent a traditionalistic form of poetic saying . The poem , itself however , is not composed as a traditional ode and lacks any demonstrable stanzaic structure alto thrumher .
sort of than being written in a traditional form Ode to Tomatoes is expressed in idiosyncratic free-verse , with short , clipped lines and a conspicuous absence end-rhyme , as well as a lack of a give over or let loose which one would typically associate with an ode . So , if the form of the poem is not one which is typically associated with an ode thus why did Neruda stick to name his poem Ode to Tomatoes ? One resolve lies within the consideration of speaker and setting for the poem that is , the name of the poem implies for the contributor that the poem s speaker is , in this oddball not an take persona , but the poet himself . The poem represents the poet harangue directly to an audition . The setting , then , by significance is that...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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