Throughout his narrative in Joseph Conrads Heart of Darkness, Charlie Marlow characterizes events, ideas, and locations that he encounters in terms of blowsy or iniquity. Embedded in Marlows phrasal idiom is an on-going metaphor equating light with knowledge and politeness and ugliness with riddle and heinousness. When he begins his narrative, Marlow equates light and, therefore, civility, with human beings, believing it to be a tangible expression of mans natural state. Similarly, Marlow uses shadower to outline atrocity as a vice having absconded with nature. But as he proceeds deeper into the nub of the African jungle and begins to hear savagery as a primitive form of refinement and, therefore, a reflection on his own reality, the metaphor shifts, until the bank clerk raises his topic at the end of the novel to discover that the Thames seemed to run into the heart of an immense phantom. The alteration of the light-dark metaphor corresponds with Marlows cogniz ance that the tho reality, truth, or light about finish is that it is, disregarding of appearances, unreal, absurd, and shrouded in darkness. Marlow uses the contrast between darkness and light to underscore the schism between the seemingly disparate realms of civility and savagery, repeatedly associating light with knowledge and truth; darkness with mystery and deceptive evil.
When Marlow realizes that his aunts acquaintances had misrepresented him to the Chief of the Inner Station, Marlow states: combust dawned upon me (23), as if to explicitly associate light with knowledge or cognizance. It is earthshaking then, that Marlow later associates light wi! th civilization. He describes the knights-errant who went out from the Thames to allow the long reaches of the world as having brought light into the darkness, flanked with figurative torches on base their swords, bearers of a spark from the sacred fire (36). That Marlow directly correlates... If you necessitate to pay off a full essay, order it on our website: OrderCustomPaper.com
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