Quentins Passion and Desire in The Sound and the Fury Essay example --

Quentins love and Desire in The Sound and the Fury As Quentin Compson travels through the countryside with his college friends, the ingenuousness of the situation becomes terribly confused by memories and past feelings. After a midget girl follows him for miles around town, his own sexuality reaches the forefront of his knowingness and transforms itself into disjointed memories of his sister Caddy. Quentins constant obsession in William Faulkners The Sound and the Fury, surrounds a defining sexual act with his sister. Though the physical act neer appears in plain speech communication, Quentins apparent lapse into an inner monologue demonstrates his consuming fixation with Caddy as well as a textured showation of their relationship. Sexual language pervades his inner consciousness - scents, sounds and colors represent his passion and desire. Elements of nature, when associated with his sister, become titillating the tiers of description, no matter how seemingly mund ane, slope to be steeped in sexuality. Quentins lapse into past events with Caddy begins in the center of typical conversation with his friends as they drive through town. His attention to pragmatism is shattered by an unconscious slip into thoughts of his sister. As the eyeball of the little girl snap Quentin into a reverie of sexual exploration, his words vomit haphazardly, even before the image of his sister, prone on the banks of the river, comes to mind. If I well-tried to hard to stop it Id be crying and I thought approximately how Id thought about I could not be a virgin, with so many of them walking along in the shadows and whispering with their soft girlvoices stay in the shadowy places and the words coming out and perfume and eyes you could f... ... environment to evoke such passion. Although Faulkner rarely refers to sexual acts directly, the use of language through Quentins consciousness and internal monologue is so rampant with erotic metaphor and passionate depth, that a simple object, such as a pocket knife, transforms into the most vital of symbols. Works Cited and Consulted Faulkner, William. The Sound and the Fury. New York time of origin Books, 1984. Harold, Brent. The Volume and Limitations of Faulkners Fictional Method. Contemporary Literary Criticism. Vol. 11, 1975. Hoffman, F. J. and Vickery, O. W. William Faulkner Three Decades of Criticism. New York, Harbinger, 1960. Irwin, thaumaturgy T. A Speculative Reading of Faulkner Contemporary Literary Criticism, Vol. 14, 1975. Polk, N. New Essays On The Sound and the Fury. Cambridge, Cambridge University Press, 1993.