In Lynn Dumenils account of the era commonly referred to as the roaring mid-twenties in The Modern Temper: the Statesn Culture and community in the 1920s there is an intentional emphasis place on the effort to dispel the habitual notion that the new, extremist transformations in culture and society that took place at this boundary in history were direct results of the First World War. In the stead of this less insightful means of analyzing the 1920s in America by assuming that the post war era was a direct creation and consequence from the war, the author offers the suggestion that the seeds of the twenties were planted much earlier during the industrial revolution and by dint of the effects of a culture rapidly industrializing in a capitalist society. The war period simply served to expedite the bring by contributing to the economic boom that created the prosperity of the twenties, sparking the migration of the inelegant population of African Americans and whites into urban areas, and by increasing opportunities for women in the work force.
Furthermore, Dumenil goes even as far to say that the popular image and connotation of this era being a cadence of unparalleled prosperity and success in America is in addition somewhat inaccurate.
For the most part, this view of America becoming an forever opulent society during this period is correct, but, just as in galore(postnominal) other aspects of American society, not everyone had an equal part of this abundant prosperity. The author mentions how the farming industry had never full recovered from the negative economic effects of war which caused many farmers to live in poverty throughout the entire period of the twenties. Additionally, African Americans and other minorities were still victims of racial inequality and were not able to partake in the increased opportunities for work that...
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